No song for Labour?

Traditionally, the Labour Party conference used to end in song. Historically, it was the Red Fag that was belted out by delegates, many of whom had learn to sing both in school and in church, chapel or other place of worship. Go to a funeral or a wedding these days, and singing is often either desultory or non-existent, except for a few brave souls. Partly, this is down to the decline in attendance at organised worship, but partly, especially for weddings, it may be down to the decline in music teaching in schools.

Yesterday, I was told of an initiative to revive school choirs https://www.cloreduffield.org.uk/clore-school-choirs-and-singing-programme

However, it will take more than a few philanthropic gestures to revive music in our schools. The subject has now reached a crisis point in state schools across England. I don’t expect the number of new trainees to meet the DfE’s target this autumn. Sadly, It is not as if missing the ITT target in music is something new.

ITT census% of target recruited
2019/2080
2020/21122
2021/2271
2022/2362
2023/2427
2024/2540
2025/2565

My expectation for the 2025/26 outcome is somewhere between 80-85% based upon September acceptance numbers through the DfE recruitment to ITT portal data published yesterday – see my previous two posts for more details.

The improvement to around 80% is because the target for this September has been reduced by the DfE from a high of 820 trainees needed in 2024/25, to a new low of 260 two years later for the 2026/27 intake.

ITT target2021/222022/232023/242024/252025/262026/27
Music540470790820565260

In part, the reduction in the target is the result of not adding unfilled places in one year to the target for the next year. That was a policy I have always said, since it was tried in the 1990s, was a mistake. Schools cannot absorb more than a certain number of teachers each year, and they always start the autumn term fully staffed for the timetable that they have produced.

Change the timetable, and cut an examination subject, and a school is unlikely to offer it the following year in its options package, especially if it might not recruit a teacher needed to teach the subject, and someone else might need to make way for the restoration of the subject to the timetable. Once gone, it is hard to recover without a change in policy.

Of course, falling rolls will mean a reduction in demand for teachers, assuming school funding doesn’t improve – quite likely, and that retention remains at current levels – also likely with a faltering graduate job market. But is the cut to 260 places for music, a cut that would certainly justify the removal of the bursary sensible? The DfE seem to think so, after having run the Teacher Supply Model, based upon current input data. I am less sure.

So far in 2026, there have been over 500 vacancies for teachers of music and heads of department, so by year-end in December that total might have increased to somewhere between 550-600 vacancies across the year in state schools.

How does that compare to possible supply? In 2025/26 the ITT census recorded 367 music trainees. Allowing for wastage, both in-course and post-course that might reduce the available number to less than 300 or about 50% of vacancies, leaving the other 300 to be filled from returners or other sources.

MusicITT census
2013/14380
2014/15375
2015/16355
2016/17355
2017/18295
2018/19300
2019/20320
2020/21483
2021/22390
2022/23301
2023/24214
2024/25345
2025/26367
estimate2026/27240

With the reduced target of 260, the likely outcome, based on the September offer number is for around 230 trainees at the end of the year, with less than 200 available to work in the state sector in 2027, based on past trends.

Vacancies would need to fall by around 200 in 2027 for that number of new teachers to take up half the vacancies. If vacancies were to remain at 600, admittedly an upper estimate, then new entrants to the labour market might only be able to fill a third of vacancies. This would be grim news, and leaves me with two conclusions

The Teacher Supply Model has cut targets too far too soon

The removal of the bursary has affected recruitment, but the effect has been masked by the cut to the ITT target.

In the real world, unless I am wrong, fewer children will study music from September 2027/28 onwards – that’s the next school-year.

Is that what the government wants? I don’t know, but I do know that there is a risk of music disappearing as an examination subject unless more music teachers are recruited.

I was told, an unverified number, of just 190 entries in the North East Region for music at A level this summer. How many of those were from private schools? I will see what I can find out from the published statistics.

Music is changing, but that change won’t happen nor will music continue to support growth in the economy through orchestras, popular music and other trends if we let music die in the majority of state schools.

A world where music is created by Artificial Intelligence and not by humans, will be a less enjoyable place in which to live.

Music Teachers: demand and supply

As part of its  monthly review of applications by graduates to train as a teacher, this blog has often commented upon the issue of whether there will be sufficient new teachers of music. This blog has also condemned the withdrawal of the bursary for music by the Labour government.

Recent posts include:

Don’t let this government kill off music in state schools. | John Howson July 2026

Music ITT: has the government made a mistake? | John Howson June 2026

Reviving Music Teacher Bursaries: A Necessity | John Howson

These posts are all related to the supply side of the question about how many music teachers are needed each year to staff the state school system in England. The DfE answers that question using the Teacher Supply Model, basically an algorithm using past data that can be problematic when future needs don’t follow past trends.

For most of the period between 2015 and July 2026, I have been tracking actual demand for music teachers in state schools, as recorded through advertisements. Tracking adverts has the added advantage of not only assessing demand for classroom teachers, but also looks at trends for subject leaders in music, and the extent to which they are part of larger groupings of arts and creative subjects. Tracking vacancies can also highlight areas where demand is not being met easily, but highlighting where vacancies are being re-advertised.

I have already posted a couple of blogs so far this year on demand:

Labour market for music teachers: update to end of April 2026 | John Howson

Demand for music teachers: where were the jobs in early 2026? | John Howson

During the summer, I have been working on a report considering a number of factors around the vacancies for music teachers. The report:

The Demand for teachers of music: January to August 2026

Is now available from dataforeducation@gmail.com

Part of the conclusion to the report states that;

‘It will not be known until December 2026 as to whether trainee numbers are sufficient to meet the needs of schools after taking into account the number of returners to teaching. However, the fact that some 20% of posts were readvertised during the survey period does point to some pressure on the pool of possible applicants. There certainly seems to be only a small reserve at best. ‘

Music is an important art of the nation’s cultural heritage and identity, and the State, through schooling, has an important part to play in recognising the breadth and depth of that heritage, and encouraging future generations to continue and develop it in ways never imagined when I was at school.

To ensure a pipeline for the future, especially if university departments continue to axe music degrees, then the music community in schools should consider creating a teaching apprenticeship for those young people that are good at music and might want to become a teacher. Creative thinking about developing future teachers of music is an imperative. Now, who will take the lead? The new National Centre? Unlikely? So, it is up to the community, and perhaps MusicMark to think deeply about the issue of where the next generation of teachers of music will come from in a changing world of higher education. A teaching conservatoire?