Tag Archives: Music Service

Fine words butter no parsnips

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What is one to make of a government that announces an expansion of the place of the creative arts in the National Curriculum review literally weeks after cutting the bursary for trainee teachers of music? Labour’s determination to recruit new teachers doesn’t include music | John Howson 8th October 2026

If I am being kind, it would be that one part of the DfE doesn’t know what the other is doing. Recruiting trainee music teachers has been a challenge over the past few years, and with universities eyeing the future of music degree courses, recruitment probably won’t get any easier.

Did a Minister, when sanctioning the bursary withdrawal, ask what the forthcoming Curriculum Review might have to say about the subject?  If so, why was the bursary withdrawn if the creative arts re to play a larger part in the new curriculum?

Hopefully, someone at Westminster will ask this question over the next few days. Perhaps media arts programmes might also like to interrogate a Minister about this curious state of affairs.

Of course, it is possible that the talk of expanding provision is just that, and the government has no real intention of putting funds behind any expansion in order to make it happen. Blame can then be laid at the door of schools for not switching resources into the creative subjects.

After all the government just said that

‘A new core enrichment entitlement for every pupil – covering civic engagement; arts and culture; nature, outdoor and adventure; sport and physical activities; and developing wider life skills.’ New curriculum to give young people the skills for life and work – GOV.UK

Not much meat on the bone there. Delving into the detailed response from the government we find that

“We recognise the Review’s concerns around access to music and that some schools require support to deliver music well, including from specialist teachers, particularly to help pupils to develop their knowledge and skills in learning to read music and play instruments. We continue to invest in instrument stocks through the music hubs. Our £25 million investment will provide over 130,000 additional instruments, equipment and other music technology by the end of 2026, with around 40,000 already in the hands of teachers and pupils. We will consider how we maximise the impact of this investment to ensure the opportunity of and access to a reformed music curriculum is fully realised.”  Government response to the Curriculum and Assessment Review page 34.

Not much joined up thinking there. Encouraging singing has a much lower capital cost than instruments, and can capture more pupils – see the great scheme at Debry Cathedral that has over 900 possible singers.

The first sentence of the paragraph bears no relation to the rest of the paragraph, so don’t hold out hopes that music will achieve more than lots of instruments sitting on shelves or being played by children whose parents can afford the lessons.  

I am very disappointed in the music section of the government’s response, especially that now I chair the Oxfordshire Music Board and so music is a particular interest of mine.

Labour’s determination to recruit new teachers doesn’t include music

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‘Now, when I think back to my school days, when I think of the happy memories. It was all about the teachers I had along the way. 

The ones who helped me succeed are the ones who made me feel like I belonged. 

That’s why I am determined to help you recruit and retain more great teachers in your schools.  

And to encourage more people to get into the profession, what’s why we have set out today the new initial teacher training incentive. 

I want more great teachers in our schools, working their magic. 

And it really is magic – what they do, what you do. 

Don’t ever let anyone tell you otherwise. 

And I certainly won’t let anyone tell me otherwise. 

You have the wonderful power to transform lives. 

To give to children the knowledge and skills they need to succeed, not just in work, but in life too. 

Extract from Secretary of State for Education’s speech at RISE Attainment Conference.’ Education Secretary speech at RISE attainment conference – GOV.UK

With respect, Secretary of State, what about Music teachers? The bursary for the subject has been removed for those applying to train in 2026. This is despite the likelihood of the number of entrants to ITT courses this autumn not meeting the ITT target set by the DfE. With the cuts in music courses at universities, competition of the remaining graduates is likely to intensify as the arts sector continues to contribute to increasing the national wealth.

It is not as if missing the ITT target in music is something new.

ITT census% of target recruited
2019/2080
2020/21122
2021/2271
2022/2362
2023/2427
2024/2540
2025/2565

Source: DfE ITT censuses

Presumably, the DfE is hoping that the AI revolution that will remove many existing graduate entry level jobs, will create a similar situation to the covid pandemic that drove graduates back to choosing teaching as a career. Will this be true? Only if the universities are producing the same number of new graduates, since potential career changers may already be in jobs less threatened by AI?

The text of this 2024 article suggests that new graduates in music may be harder to find than in the past Full scale of university arts cuts emerges – Arts Professional

My message is simple, the bursary should not have been removed for music, and possibly other arts subjects as well. However, the DfE should monitor applications for September 2026 training and, if by February, they are showing a failure to meet the target again in 2026, then the bursary should be reintroduced.

By the way, I have a simple formula for monitoring applications against target that I used for over a decade when UCAS managed the ITT application process. I might start using it again when the 2026 applications are revealed each month.

My reason for picking on music for this post is that I have just been invited to take over the role of Chair of Oxfordshire’s Music Hub Board.

Ministers; music matters

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Yesterday, in this blog, I wrote that music courses preparing new teachers for our schools had the highest conversion rate of applicants to offers for any subject. By June this year, some 63% of candidates have been offered places. This compares with just 27% of candidates applying to become a business studies teacher. This data comes from the DfE’s monthly updates on recruitment into these courses.

I also pointed out that the 325 candidates offered places by June this year, of the 565 that have applied, meant that the DfE’s target for new entrants of 565 was unlikely to be met ,making 10 missed targets in the last 11 years.

Music ITT recruitment

Recruiting yearJuneSeptemberdifferenceITT censusTarget% filled
2014/153103605035348173%
2015/163403703035739989%
2016/172903102029539375%
2017/182503106030040973%
2018/192403208031239280%
2019/20360480120469385122%
2020/213904203038654071%
2021/222282875929247062%
2022/232012302921679027%
2023/242883789033182040%
2024/25326565

The table shows that the only time the DfE target for music was met was during the initial covid year, when there was a surge of applications for teacher preparation courses. Even in that year, the 469 trainees recorded at the time if the ITT census in the autumn would not have been enough to meet the target for this year of 565.

Between June and September new offers made have ranged from 120 in the covid year to as low as 20 in 216/17. Based upon last year’s figure of 90 new offers, and assuming this year is a little better and that 100 new offers are made, would mean a figure of around 426 offers by September, still more than 100 adrift of the target for this year that has been set at a more sensible level of 565 compared with the targets for the previous two years.

In passing, it is worth recording that adding shortfalls into future targets is not a helpful exercise, especially as all schools start the year fully staffed. Doing so also makes the percentage of target filled number misleadingly low, as with the 27% of the 2022/23 recruitment round.

Collecting this data together isn’t just of interest to data watchers. There is a serious issue here that is also linked to the cutbacks in university courses currently underway.

Imagine a scenario where the civil servant in charge of teacher supply and training meets his opposite number in charge of universities over coffee one lunchtime this summer. ‘I have just seen the data on ITT music offers and we risk not hitting our target again this year’.  ‘Bad luck’, the other replies, ‘but if universities cut music courses, won’t that make it even more difficult for you in future years?’ ‘You cannot let that happen, as we need graduates for teaching’. ‘Sorry, universities are free agents, and music courses are not in fashion right now.’ ‘What shall we do?’ ‘Perhaps we can write a joint paper for the PS mentioning apprenticeships’ ‘Good idea, job done.’  ‘After all music is an important export industry, and we mustn’t let it go the way of design and technology in our schools.’

Last week I attended a concert in Dorchester Abbey where in the course of a week pupils from 41 primary schools came together to sing their hearts out. We must ensure that music is available to all of them when they transfer to secondary schools.

Music in schools

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The DfE carries out regular ‘wave’ surveys of teachers and school leaders in order to discover answers to specific questions about what is happening in schools. The most recent (June 2022) survey can be found at School and college panel: omnibus surveys for 2021 to 2022 – GOV.UK (www.gov.uk)

There are lots of interesting questions in the latest survey, but the one that caught my eye was about music provision in schools. The data from the responses are separated into primary and secondary schools, as well as an overall figure for all schools.

Despite the frequent attacks on funding for music in schools, it is still an activity that takes place in most schools. This may be because Music is a statutory subject in the national curriculum for all children in primary school and for the first years of secondary (from key stage 1 to 3). Although academies don’t have to follow the National curriculum.

Most schools responding to the survey offered musical instrument lessons (89%), singing lessons (85%), and the opportunity to watch a live performance at school (71%). However, it is not clear whether this is to all children or just some.

Other activities that were less commonly offered included providing a space for rehearsals and individual practice (65%), the opportunity to watch a live performance off-site (58%), and a termly school performance (54%). For all activities, schools that were not offering them this academic year were unlikely to have plans to offer them in the future. These were more likely to be provided by secondary schools than primary schools.

Schools with the lowest proportion of Free School Meals (FSM)-eligible pupils were more likely than those with the highest proportion to offer a termly school performance (67% vs. 49%), to provide a space for rehearsals and individual practice (75% vs. 59%), to provide musical instrument lessons (97% vs. 84%), or to provide singing lessons.

This difference is also true for other activities as schools with the lowest proportion of FSM-eligible pupils were more likely than those with the highest proportion to offer singing lessons on a one-to-one basis (28% vs 9%) and small group basis (68% vs. 48%). Meanwhile schools with the highest proportion of FSM-eligible pupils were more likely than those with the lowest proportion to provide them on a whole class basis (81% vs. 68%).

Furthermore, Schools with the lowest proportion of FSM-eligible pupils were more likely than those with the highest proportion to provide musical instrument lessons on a one-to-one basis (77% vs. 39%). While those with the highest proportion of FSM-eligible pupils were more likely than those with the lowest proportion to provide them on a whole class basis (69% vs. 53%).

Schools with higher proportion of FSM-eligible pupils also seemed less likely to offer pupils a chance to play in an orchestra. The survey doesn’t ask whether this is due to such schools having fewer music specialists on the staff than schools with a smaller proportion of FSM-eligible pupils.

Interestingly, there didn’t seem to be any questions about the type of music schools teach and how it might relate to different cultures from around the world? Perhaps that is a series of questions for another survey.

The differences between schools with different levels of FSM eligibility is a disappointing finding and might be worth looking at in relation to the levelling up agenda.

Yong people being successful

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This summer, I have been able to witness some amazing activities by young people from across Oxfordshire. In this blog I would like to mention three groups and the adults that have supported them. All have to a greater or lesser extent funding from official sources, but need to rely upon volunteers as well, including the goodwill of parents. They represent but the tip of an iceberg of what takes place.

At the end of the school summer term I attended various concerts put on by the County Music Service, and at the end of the month I will be attending a welcome back concert by the OSO. This orchestra is considered to be Oxfordshire’s “training” orchestra, with students going on to play in the OSSO, OYWO and OCYO. Next year the most senior of these orchestra is planning on playing Mahler’s First Symphony. That would be a magnificent achievement for the orchestra and the County Music Service. Their other achievement this year, of buddying children with SEND of all descriptions with other young people to create a truly memorable music experience, broke new boundaries.

The National Citizen Service hasn’t always had a good press, but the on the ground activities help create a sense of teamwork and allow young people to achieve more than they thought themselves capable. I was privileged to be asked to judge the projects by five of the teams from among the 700 young people taking part in the five discrete programmes this summer in Oxfordshire. These programmes also involved the use of 200 staff to support the courses. Included in the programme was supporting and fund-raising for charitable activities. Alongside support for the homeless and the local hospital charity were campaigns to support young carers; those with brain injuries and a project to map unisex toilets that can be used by those identifying as of transgender. I witnessed two of the teams staffing a stall in the local market place as a means of raising funds. In 2018, more than £43,000 was raised by NCS group activities. It is still early to say how much will be raised in 2109, but again young people came together to work on a project and learn a range of skills.

Yester, I attended the open day for the Oxfordshire Battalion of the Army Cadet Force summer camp. Despite atrocious weather, youngsters from 13 to 19 were participating in a range of activities albeit with a military theme. The dedication of all concerned was clear to see and the Battalion in Oxfordshire is clearly in good spirits. However, I wonder whether the MoD pays the same attention to the ACF s it does to the Combined Cadet Force or CCF that is mostly located in our independent schools? In this day and age youth activities by the MoD must not be organised so that one is the route for potential officers and the other for other ranks. That might have worked in the days after World War 2 when the tri-partite system of education prevailed, but would look extremely out of date these days. Bringing pupils from both sectors to work together, especially in a county lie Oxfordshire with so many intendent schools, might dispel any such notion. Larger numbers might also help attract those interested in understanding the range of activities of our defence forces and the skills they need.

So, my thanks to all that give up their time for these and other organisations working with young people. We just need to ensure that there is also a proper youth service that can support others, such as young carers that often cannot find the time to join in these types of activities.