Overseas applicants boost teacher training numbers

As well as the White Paper, today also saw the publication of the February data on applications to postgraduate teacher preparation courses. Initial teacher training application statistics for courses starting in the 2026 to 2027 academic year – Apply for teacher training – GOV.UK

The headline number of note is the percentage of applications from outside of the United Kingdom. Last February these applicants totalled just over 6,000, accounting for 24% of all applications. This February, the applicants from outside the United Kingdon now total almost 10,500, and account for 33% of all applications.

The key question that the published data does not reveal, but is of great consequence, is whether these extra 4,000 candidates are applying across the board for all subjects, or are concentrated in just a few subjects?

This question is of real importance, as there is now a split between subjects where ‘offers’ are above last year, and those other subjects where, despite rising unemployment in the wider economy, ‘offers’ in February 2026 are below those from February 2025. Many of these latter subjects will likely miss their target once again this year unless there is a dramatic shift in applications during the second half of the recruitment round, such as last seen in 2020, as a result of the covid pandemic.

Doing better than last year with regard to ‘offers’ are: physics; mathematics; history; design & technology; computing; chemistry, drama, and primary sector courses. English is just about holding its own when compared with February 2025.

Doing less well than in February 2025 are: modern languages; art & design; religious education; physical education; music; geography; classics and biology. Of these subjects, the decline in offers for physical education should be of no concern as the number of ‘offers’ is already more than 900 or more than the combined total of ‘offers’ for art & design; drama; music; religious education and ‘other subjects.

Does this government not care about the arts? I have long campaigned for the return of the music bursary. With music ‘offers’ down at just 110 this February, compared with 139 last February, that is a loss of 29 potential teachers of music, and the gap with last year has widened since the January data were published.

So, are there any other worries? Applications from candidates over the age of 25 appear to be rising faster than from newly graduating students. There are only 128 more applications from the youngest age grouping, compared with 208 from the 45 to 49 age group, and more than 2,000 additional applicants this year from the 25 to 29 age group. It would be helpful to know in which age grouping the additional 4,500 applicants from outside the United Kingdom fall, and which subjects they have applied for this year?

With the increase in applications from men, up from 9,561 to 13,654 being proportionally more than the increase in applications from women, up from 15,735 to 18,224, it would also be informative to know which subjects these additional 4,000 male applicants have applied for, and how many fall into applicants from the ‘rest of the world’ group?

While apprenticeships have shown good growth in applications, higher education courses have had to deal with the bulk of the additional applicants, with more than 5,000 additional applicants. My guess would be that the bulk of the new overseas applicants are targeting higher education courses.

We now enter that period of the recruitment round where fewer undergraduates will be applying until after the examination season, so further growth between now and the July data are most likely from career changers rather than undergraduates. This fact might push the proportion of ’rest of the world’ applicants to an even higher percentage than the 33% recorded this month. Perhaps it is now time for the DfE to review how the data are published in order to make it more useful to those interested in the labour market for teachers?

Why Music Teacher Bursaries Matter for Education

What is the point of bursaries for trainee teachers not on routes into teaching that pay a salary? The assumption must be that an inducement, such as a bursary would help recruit more trainees, or at least keep those that want to be a teacher on their teacher preparation programme. 

Each year, the Department for Education decides which subjects will be allocated bursaries. In some subjects, the DfE also works with other bodies, such as subject associations, to offer alternative higher amounts of funding through scholarships. Both bursaries and scholarships have the advantage of being tax free to the recipients.

In the days when the Conservative government championed the Baccalaureate subjects above all others, it was understandable that subjects not included in the Baccalaureate might be regarded of less concern than those that made up the Baccalaureate, and thus that these subjects did not need bursaries, even if an insufficient number of trainees were recruited.

However, for courses operating in 2024/25 and 2025/26, the DfE did pay a bursary of £10,000 to those training to become teachers of music.

The bursary for music was not included within the list of eligible subjects for the courses operating in 2026/27. No reason was provided by the DfE for the removal of the bursary.

However, recruitment targets for music have been missed in six of the last seven years including for the current trainee group (2019/20–2025/26).

The failure to recruit to target has meant fewer music teachers in schools, and a drop in entries to public examinations. Between 2010/11, and the start of the coalition government, and 2022/23, entries for A Level music declined from 8,709 to 4,910. Interestingly, the percentage of A* and A grades increased from 24.3% to 41.6%. This might suggest that it was State schools, with their wider range of pupil abilities that saw the biggest fall in entries, as schools struggling to recruit music teachers axed examination courses that they could no longer staff.

Interestingly, a by-produce of the break-up of schools into many academy trusts might have meant that opportunities for collaboration between schools also declined after 2010, and the Academies Act.

How bad has the challenge of recruiting teachers of music been over the past few years? Were the ITT targets set by the DfE, and based upon the DfE’s own Teacher Supply Model accurate or over-optimistic in the need for teachers of music in state schools?

Pool 
MusicJanFebMarchAprilMayJuneSeptOctNovDec
251201922718511655-57-104-253-172-196-215
25620202051467724-59-86-117-144-162-171
4162021390358303243161117784514-9
315202225620811912-128-214-305-352-395-422
228202315681-3-126-278-356
2024
2025
3302026265  

Data from TeachVac and dataforeducation

The table starts with the ‘pool’ of music trainees likely to be available to state schools that year and reduces it by one for every vacancy recorded during the year. The minus number is the excess of vacancies over the ‘pool ‘number

Between 2018 and 2023, only the cohort of trainees recruited during Covid, and entering the labour market in 2021, provided sufficient trainee numbers to have allowed schools to be secure in filling vacancies for September.

Of course, in addition to new entrants to teaching there are those returning to teaching or entering from other sectors, such as further education or independent schools.

As a rule of thumb, perhaps half of vacancies might be filled by new entrants, and the other half from other sources. The data in the table would suggest that in most years, if demand from private schools was also taken into account, the labour market would need to have ensured a steady supply of ‘returners’ to fill all the advertised vacancies for music teacher posts.

Each year, for January appointments, returners would have been critical for schools seeking to make an appointment, including those teachers returning to England from teaching in schools in the southern hemisphere, with a December year-end. Normally, somewhere around 100 vacancies for a January start were advertised each year between 2019 and 2022.

So, why, if there is a shortage of teachers, and the Teacher Supply Model did not seem to have been overestimated demand, was the bursary axed? Could it have been the age-old HM Treasury view that if there is a base number that would enter teacher training under any circumstances, then why pay them a bursary?

In the absence of any other explanation, it is difficult to think of any other reason than this cynical approach for the axing of the bursary for music. Put another way, Ministers just didn’t care enough about music, and weren’t aware of the contribution of all forms of music to the national wealth and our export drive to keep the bursary when it was suggested it be axed.

Sadly, the music lobby hasn’t yet changed the government’s mind. However, there is still time to do so for this recruitment round. The data showing the difference in ‘offers’ for ITT courses, between the January 2025 and January 2026 data points should, by itself, be enough to force a rethink, or a -U- turn, if you prefer it.

 2026 ENTRY TO PG ITT
 MUSIC
2025 TARGET565
OFFERS JANUARY 202670
OFFERS JANUARY 202591
TOTAL OFFERS 2025416
DIFFERENCE 2025 TOTAL AND 2025 January OFFERS325
PROJECTION for 2026395
ESTIMATED SHORTFALL170

A decline in ‘offers’ from 91 to 70 is of serious concern, as these are the group most likely to be prepared to become a music teacher at whatever cost. My advice to Ministers: announce the bursary for music has been added to the list for entry in 2026 or watch the subject decline even further.