UK Music, is the industry-funded body established in October 2008 to represent the collective interests of the recorded, published and live arms of the British music industry.

To quote from their website, UK Music promotes the interests of record labels and music publishers (major and independent), songwriters, composers, lyricists, musicians, managers, producers, promoters, venues and collection societies through collective representation. https://www.ukmusic.org/about/

At the Liberal Democrat Conference this week UK Music published a pamphlet entitled ‘Securing our talent pipeline’ https://www.ukmusic.org/news/securing-our-talent-pipeline

As they acknowledge, the UK music industry is doing well at present. It grew by 6 per cent last year and is now worth £4.4 billion to the economy with the live music industry contributing around £1 billion. However, that is exactly the time to reflect on the future.

UK Music say that while the immediate outlook is promising, there is growing evidence of a looming crisis in the music industry’s talent pipeline – a pipeline that they rely on for future stars and one that is a vital part of their industry’s eco-system.

Schools form an important part of developing that talent pipeline, so I thought I would take a look at the evidence from TeachVac, the vacancy site for teachers where I am chair of the board. www.teachvac.co.uk about recruitment and the supply of teachers of music.

The headline statistic is that music in our schools, as a classroom taught subject, is more of a shortage subject than mathematics. Sadly, TeachVac doesn’t keep data on instrumental and other specialist music teaching at this point in time.

Despite cuts to the curriculum in state funded schools, there have been more than 600 vacancies for main scale classroom teachers recorded so far in 2018 by TeachVac. This is slightly down on the 632 vacancies recorded by this point in 2017, but not significantly so. The previous two years, 2015 and 2016 recorded around the 550 vacancies mark by this point in September.

Allowing for better coverage in 2017 and 2018 by TeachVac, there doesn’t seem yet to have been a collapse in demand for classroom teachers of music. However, there are significant regional differences. Around half of the vacancies recorded in 2018 were from secondary schools in either London or the South East, the regions with the largest concentration of independent schools and the best funded state schools. Relatively few vacancies have been recorded from schools in the North East so far in 2018.

The real cause of any shortage of teachers of music is the failure of the DfE to attract enough trainee teachers of music over the past few years, and especially for entry into teacher preparation courses in 2017. Last September, the DfE estimate in the Teacher Supply Model was for 409 music teachers; 295 were recruited according to their census of trainees. This year, by the middle of August, potential trainee numbers were slightly below the same period in 2017 and on target for around 280 trainees overall.

Allowing for failure to complete for various reasons, this means the number of new entrants in 2019 could be in the range of 250-275 for the 4,000 or so secondary schools across England. Turnover would need to be as low as five per cent to ensure sufficient new entrants, even assuming the distribution across the country was as required: an unlikely situation.

So, music may well be a subject of concern in 2019 and UK Music are right to worry about the long-term consequences for their industry and the UK Economy.