Like many of my generation, I watched 70 Up on TV last night with very mixed feelings. I first came across what was originally an ITV World in Action documentary called ‘7 UP’ when lecturing to trainee teachers at Oxford Polytechnic, as Oxford Brookes University then was, in the 1980s. The film was part of a module called ‘Societal Issues in Education’. The original documentary was about the lives and aspirations of 20 different children selected by the producer from schools across England. Eventually, it became  series, revisiting the group every seven years.

Looking at the first part of 70 UP, the final two-part episode that both recalled the past lives of those willing to participate every seven years, and caught up with them for a final time at age 70, I was struck by what was missing from the series. No child with a visible disability, only a nod to even the possibility of multi-cultural Britian, as it already was becoming in 1964, when the original programme first aired. A group of children both very different from those that might be selected today, but in many ways a group still to be found in many schools today.

We have been privileged to share the lives of this particular group, and one must thank them for taking part in such a public recording of many aspects of their personal lives. Some played to the camera, and obviously enjoyed the experience; others didn’t, and dropped out, while others, while not enjoying the experience still participated.

What is striking, and heartwarming in the first part of 70 UP is the nature of relationships the group formed. Some survived, some didn’t. That’s not surprising, as the past 60 years have seen great changes in both divorce laws and the fluidity of relationships at all ages.

Every participant was a star. For many, the boy from the children’s home that went on to not only make a family with his partner, but also to foster 170 children in care, was a real star. Fostering demands real respect, as I know from my time as a county councillor just how difficult it is to recruit carers. If 70 UP persuades just one family to contact their local authority and offer to become carers it will have been worthwhile.

Not all the episodes were easy to watch, especially those filmed in the 1970s when teenagers were finding their feet. It is worth noting how many went to Oxford University, and that says much about the sampling, especially of the original participants from private schools.

The women in the group joined 7 UP before the equal opportunity’s legislation of the 1970s, and it shows in those that worked rather than had careers. There were also fewer of them, again I suspect a sign of the times and attitudes in the early 1960s, before the sexual revolution and the ‘swinging sixties’.

Next week, there will be the final part of the series. 70 UP had a new producer, the previous, and only other producer, died after 63 UP was produced. Not surprisingly, not all the original participants survived to 70.

Indeed, I worry, that the treatment of the death of one of the original group of participants reveals both the best and worst of television in its mission to entertain; inform and educate its viewers.